Yatra Yaguchi (Hiromu Mineta) and her friends love to wear them all night long to play soccer. And then pick up the teenagers from the Shibuya district in Tokyo. There are still two years to graduate, but the career planning investigation is hovering over their heads. Must make a decision. And Yatra didn’t know what to do. He tends to lie in bed thinking things like, “Why is all this so unnecessary?” – feelings in him.
One day at school, Yatra is struck by a big picture.
He’s been studying it for a long time, thinking about it, the things that we can hear. Things that can confuse melancholy when you’re not the teenager in My Chemical Novel. He and his siblings were given the artistic task of drawing “my favorite nature”. They don’t care about art; Yatora wondered why we should go to fine arts school when other subjects were more profitable. He meets Mori (Mayu Aoyagi), the artist behind the painting he admires, and she shows him some techniques for mixing colors. She hangs out with Yuka (Yumiri Hanamori). A student in a short, rough skirt, and could there be an attraction between them?
Yatra and the kids played soccer all night again. And when he stepped into the soft morning light of Shibuya, he seemed to feel something completely. Do you see him swimming across the stage, propelled by, I don’t know, the power of dreams? Of course – the power of dreams. He went to school, filled his canvas with blue paint, and drew Shibuya on it with a pencil. He was probably excited because his internal monologue was beyond whispers: Maybe he should think about art school. Her art teacher, Saeki (Fumi Harano), praises her work but tells her so. That the Tokyo University of the Arts has a low acceptance rate; her family could not afford a private school, the only other option. But I think it will work.
The Blue Period was clear propaganda over the vast international industrial complex of schools.
They campaign vigorously for a repressive system that infects young people. So that they can be easily criminalized and forced to work hard for meager pay while using tools for their rudeness. This is the only plausible explanation for why Hobby Lobby. And his ilk are selling so many LIVE LAUGH LOVE posters and jingles in a must-see and teeming hell. Fight, children, fight!
Deviations. The Blue Age is limited in terms of demographic appeal for those who are more likely to turn to a tall and brooding, controversial, good-looking and popular protagonist. Yet few outsiders come across as a big bucket for everyone. All your teenage feelings. Of course, we’re only in one episode. But as a character, Yatora is not yet fully focused – and that means the series has yet to set its course. It’s so light, so strange why Netflix decided to play episodes a week. Instead of letting the overeating take over so we can move on to the next chapter or two. And see how Yator’s strange existential suffering manifests itself in his images. We can forget that until the beginning of the second episode.
The only relative plot this episode conjures up is the problem with this girl;
Yuka, who has the potential to fulfill some of our pent-up romantic desires. The nicest thing about Yatora right now was that his friends considered him to be a gifted genius. Although he insisted that his good grades were the result of careful study. His keen sense of creativity and the mechanics of painting will shake his hand. With his penchant for hard work and led him to a famous art school? Will vampires rate 0.05% of applicants enrolled at Tokyo University of the Arts? Are we doing more at this point than just shrugging around the room?
With its vaguely captivating storyline and overall visual style. Blue period seems to struggle to stand out from the sheer volume of anime content. Those closer to the target manifestation may have an episode or three left. But we will all be inclined to look at others.