Anime remains an incredibly versatile and creative form of entertainment that has led to some of the most entertaining animated content of decades. There are dozens of new animated series coming out every year, but what’s considerably rarer is the number of animated feature films who are released. The stories told in animated films sometimes cannot be compared to the longer narratives present in the series.
There are some incredible talents that have made names for themselves in the animated film industry. The The 2000s, in particular, showcase some remarkable films that are just as strong now as they were when they were first released and tracks that haven’t aged as gracefully.
ten Aged Well: Summer Wars extends Mamoru Hosoda’s fascination with the artificial
Mamoru Hosoda is one of the most exciting names working in the anime right now, and he’s often seen as Hayao Miyazaki’s successor. Hosoda has concocted an enviable filmography where each of his films shows growth and maturity. by Hosoda Summer wars is far from a bad movie, but it looks a bit simple compared to the director’s other works, even from the same decade, as The girl who has stood the test of time. Summer wars Juxtaposes a fantasy virtual world with reality and creates a tense clockwork scenario, but it’s more about visuals and energy than powerful themes.
9 Hasn’t Aged Well: Pokémon 3: Movie Starts Diminishing Franchise Yields
The Pokemon the franchise is still going strong decades after its debut, and the franchise’s feature films are a regular occurrence, with nearly two dozen films released at this point. The first two Pokemon movies have been massive theatrical successes outside of Japan, but Pokémon 3: the movie begins to show the fatigue of the franchise. This is what has caused the films to no longer be released regularly in theaters outside of Japan. Pokémon 3: the movie is the standard narration for a Pokemon movie where new legendary creatures appear, but it feels highly disposable now that so many, Pokemon films exist.
8 Aged Well: Ponyo is a loving and underrated Hayao Miyazaki classic
All of Hayao Miyazaki’s works are masterpieces, but the 2008 one Ponyo is often overlooked compared to other Miyazaki directorial efforts of the decade, such as Howl’s Moving Castle and particularly Removed as if by magic. Ponyo presents a delicate story of fish out of water that explores freedom and remarkably labels themes.
The premise where Ponyo is pulled between two worlds isn’t exactly original, but Miyazaki’s execution is sublime, and there is such passion in this project. Ponyo looks like a cute movie, but it’s so much more, and its message is even stronger now.
7 Haven’t Aged Well: Blood: the Last Vampire is a painted-by-numbers storytelling
Blood: The Last Vampire was a big deal when it was released in 2000, but it doesn’t look like anything special when seen through a current lens. There is a pedestrianized story where a half-vampire hunter pledges to eradicate as many vampires as possible on the eve of Halloween. Blood: The Last Vampire garnered attention due to its brutal and bloody action sequences from Production IG some blood artistic design now looks old fashioned, and other vampire films from the same decade, like Vampire Hunter D: Bloodlust, do a better job with comparable material.
6 Aged Well: Redline is a visual extravaganza you shouldn’t miss
Sometimes an animated film connects because of its deep history, but other films exist purely as visual shows that attempt to push the medium to new places. Red line is a rapid adrenaline rush about a dangerous race where mysterious runners will do anything to win. Red line streamlines its story and the motivations of its characters in favor of remarkable sequences that transform this race into kaleidoscopic happiness. Red line is a film that is definitely growing with its audience, and many of its visual tricks are still in the works with new animated films.
5 Hasn’t aged well: the stranger’s sword is style rather than substance
Stories about samurai and revenge are incredibly prolific in cartoons, which means that a movie has to work really hard for such a story to stand out from the crowd. The Sword of the Stranger is a 2007 film that doesn’t reinvent the wheel and focuses on a struggling swordsman struggling with his values as he also tries to protect a young boy and his dog.
Standard animation and script work just don’t do The Sword of the Stranger no favors, and what might have been an emotional tale more like a draft for a better movie.
4 Aged Well: Mind Game is a mind-boggling anthology of a modern master
Masaaki Yuasa is one of the most revolutionary voices in the anime, and each of its films is breaking the rules and redefining character designs, color palettes, and animation styles. Yuasa consistently creates hyperbolic animation that exceeds expectations and falls back on tender characterization. Psychological play follows a man’s messy journey to share his love with his crush and avoid the execution of the yakuza in the process. Mind Game is such a journey because it uses an anthology approach with many art styles, but they all tell a common story and are led by Yuasa rather than multiple voices.
3 Hasn’t Aged Well: Ghost In The Shell 2: Innocence Becomes Too Intoxicating For Its Own Good
Mamoru Oshii is a master storyteller, and Ghost in the shell remains one of the most formative anime cyberpunk stories. Many movies are worse than Ghost in the Shell 2: Innocence, but the sequel is too ambitious a project that does not completely achieve its goal. innocence The story revolves around several mechanical pleasure robots that rebel against their masters, which is considerably more shallow than the plot of the previous film. Ghost in the shell 2 still has stunning animation and teases compelling ideas, but it seems less and less essential as more Ghost in the shell the content comes out.
2 Aged well: paprika is a surreal mystery where anything is possible
Satoshi Kon was one of the strongest and most creative voices of his generation, and honestly most of his filmography could fit on that 2000s list. Kon has no weak link in his career, but his latest film, Paprika, is easily one of the most visually stunning and psychologically rich. The film delves into the abstract world of imagination and fantasy as a “dream sleuth” attempts to recover an important and dangerous piece of stolen technology. Other modern masterpieces, like Creation, owes a lot to Kon Paprika.
1 Has not aged well: the place we promised when we started is a novice work by Makoto Shinkai
Makoto Shinkai is another true anime writer, and his theatrical contributions of the last decade, such as your name and Alter with you, are some of the best animated films of all time. The place we promised when we started is a relatively lower Shinkai contribution compared to his other films. Shinkai loves stories where romance is separated by impossible circumstances. The Place promised at our beginnings explores an alternate history where Japan is divided and controlled by the United States. The film is still touching, but Shinkai has perfected this formula in his subsequent films.
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