Animated films offer great opportunities for stories that have a smaller scope, more impactful plots, or a faster pace. Sometimes these films are shorter than the average modern film and can be 100-20 minutes long. With such short run times, audiences can expect an alert and assertive pace. They probably expect movies that don’t let viewers breathe for a second.
However, not all animated films understand how to pace themselves, including short ones. There are a few who waste their time without accomplishing much. They drag out the plot and dampen the mood of the story. It’s not an automatic dealbreaker, but it does significantly affect the viewer experience.
ten Pale Cocoon has a good premise with little commitment
Pale Cacon is one of the shortest animated films on the market, with a total running time of 23 minutes. Most of those minutes feel extremely stretched. The dialogue is monotone, the palette is muted, and the pacing has no sense of urgency. The film is all too happy to take its time to think through its themes without giving the audience a reason to care.
More emphasis is placed on presenting a virtual 3D camera rather than engaging the film. While his message has merit, it somehow makes his extremely short runtime hard to get across. If it could have been extended to a series, it might have shone more.
9 Saura Toyama Space Book – His name is gold makes camp lazy
Sakura Toyama Space Book – Her Name is Golden is an 80s film that is only 59 minutes long. It’s a movie lost in time, and for good reason. For half of its run, the film does nothing of importance. It sets up the setting and idea of a supercomputer management company, but the plot doesn’t use them enough to justify it.
The frame seems little more than an excuse to give Gold a beam sword. The action scenes look extremely cheap. Gold is a campy character, but his actions elicit more moans than laughs. This film could be reduced to 10 minutes and leave the same impact.
8 Dracula: Sovereign Of The Damned Is Legendary But Moves Too Slow
Dracula: Ruler of the Damned is a beloved 80s anime cult classic. Running just over 90 minutes, the film contains iconic moments, like Dracula eating a cheeseburger and the most hoki conversation with God. Sadly, it’s not enough for this movie to bring Dracula’s dead child back as a super-soldier for God. The movie is just too slow.
Every scene in the movie feels three times longer than it actually is due to a poor script and stiff animation. This neutralizes the film’s reputation as an anime so bad it’s good. It would be so much nicer sunk better.
The original series of Fullmetal Alchemist did not need a film to conclude its story. The 2003 adaptation had a bittersweet open ending that suited the tone of the series, so it’s a shame that Fullmetal Alchemist: Conqueror of Shamballa exist.
Unfortunately, Conqueror of Shamballa is 104 minutes of unnecessary airtime. The movie takes too long trying to establish the world that Edward Elric finds himself in. It becomes apparent that the setting is a modified version of the audience’s real world, but the movie isn’t worth it. Instead, he adds Nazis and calls it a day.
6 Ao Oni: the animation is too ugly to develop a horror rhythm
Horror movies take their time to establish their worlds and characters so that the underlying threat can settle into the consciousness of the viewer. Unfortunately, this does not work for Ao Oni: the animation. The film’s gruesome use of CGI animation is too distracting to set a good mood.
On top of that, the monster itself is comically awful to watch. The film builds suspense, but every time it’s on screen it feels incredibly out of place. Instead of presenting himself as some incomprehensible abomination who lives on body horror, he looks like the smallest and dumbest Titan in The attack of the Titans.
5 A Whisker Away is a bored and tired romance
At a glance is a 104-minute film that seems to be three hours long. Unable to decide whether this is a Makoto Shinkai or Mamoru Hosoda rip-off, the film wastes time searching for its own identity. It’s content to be a really generic romance with fantasy elements.
Miyo Sasaki takes center stage as the film’s heroine, but her characterization is stretched and hollow. Her crush on Kento Hinode doesn’t evolve beyond feeling stalked, even though that’s the heart of the film. At a glance spends all his time doing nothing.
4 Pokémon the Movie: Kyurem Vs. The Sword of Justice Is Incredibly Lifeless
It’s very strange for a Pokemon the film is as hollow and warm as Kyurem vs. Sword of Justice. The film is 71 minutes long but uses its first act to slowly establish Keldeo’s character. It goes on far too long and doesn’t do anything interesting with Keldeo’s insecurities and determination.
Once the ball starts rolling, the action and story finally take center stage, but are cut off by light, comedic breaks. The film’s pacing is incredibly uneven, and the town Ash and the gang end up in is uninhabited. It feels like the Pokemon are running and battling in a setting rather than a town.
3 Wake up, girls! The Movie Is What Every Anime Idol Should Avoid Becoming
There’s nothing very exciting about the structure of the idol anime. Schoolgirls with a passion for music and dance find mutual connections with each other and work towards their dreams. It’s a cute premise, but it only works if the girls are interesting, colorful, or relatable. The characters in Wake up, girls! The film are not.
Every character in this movie is extremely flat and dull. Wake up, girls! The film is to anime idol what crackers are to snacks – dry, stale and bland. The anime doesn’t make viewers care about fate, so the whole story falls apart. Each step of the journey becomes a chore to overcome.
2 Kizumonogatari Part 1: Tekketsu
The Kizumonogatari light novel is a single volume containing a complete story. The films break this story into three parts and require a considerable amount of stretching and padding, which is most evident in the first film: Kizumonogatari Part 1: Tekketsu.
Establishing Araragi’s journey to becoming a vampire shouldn’t have taken 64 minutes. It’s topped off with Shaft’s onslaught of visuals and methodical speed of dialogue delivery. Kizumonogatari relies too much on expecting fans to already have attachments to the characters instead of urgently building their narratives.
1 The place promised in our early days acts as a sleep aid
Makoto Shinkai is one of the most famous modern directors in the business, but before there was 5 centimeters per secondbefore there is your nameand before there was grow old with youthere was The promised place in our early days. It’s a 90-minute film that you can’t ask to move. A good majority of them are Hiroki Fujisawa reminiscing about his past with a languid delivery.
There’s a whole sci-fi plot behind the movie’s romance, but it’s not explored enough. The parts that are covered turn out to be tedious and cumbersome. This is a far cry from Shinkai’s other films, which have continued to captivate wider audiences.
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